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Detaljer om materialet
Type
Dvd
Format
2 dvd-videoer, 1 kommentarbilag
Sprog
tysk
Undertitel
engelskfransktyskspanskkoreanskjapansk
Genre
operaoperafilm
Emneord
Emnetal
78.81:2
Bidrag af
Beskrivelse
Live-optagelse, Bayerische Staatsoper, München, Tyskland maj 2015
Omfang
2 t., 42 min.
Forlag
Bel Air Classiques
Målgruppe
voksenmaterialer
Anmeldelser
BBC music magazine, 2017 December
"Yet all is far from lost, thanks to an impeccable cast who attack that narrative with exceptional music-dramatic skill, and the ravishingly transparent playing of the Bavarian State Orchestra under music director, Kirill Petrenko. Petersen invests Lulu with a paradoxical strength in vulnerability ... Close-up camera work makes the most of intimate gestures and facial expressions lost in the theatre but which, if not visionary, help to make this Lulu tragically human"
Klassisk, 2018, nr. 48
"I Marlis Petersens skikkelse er Lulu stadig giftig, samvittighedsløs og impulsdrevet. Hun er en sanger i verdensklasse, og det samme er baryton Bo Skovhus i det store parti som Dr. Schön ... Det Bayerske Statsorkester og chedirigent Kirill Petrenko har fuldstændig styr på Alban Bergs partitur, som nedsænker lytteren i et bad af omsluttende lyd ... Sand teatermagi"
Fono Forum, 2018 Februar
"Alban Berts Lulu ist kein leicht konsumierbares Werk. An der Münchner Staatsoper inszenierte Dmitri Tcherniakov ... Marlis Petersen trägt dieses schwergewichtige Stück wie eine Elfe auf schmalen, belastbaren Schultern. Grandios die Beiläufigkeit ihres Parlando-Tons. Blühend schön ihre leichte Höhe. Faszinierend ihre Bühnenpräsenz ... Ausgestellt in einem gläsernen Labyrinth ... Lulu wird durch transparente Wände belauert, bis man ihrer Ermordung zusieht - die sie selbst ausführt ... Neben ihr halten die Partner auf gleicher Höhe mit ... Der dämonische Bo Skovhus als Gewaltmensch Doktor Schön ... Und noch einer bleibt enorm stark: Kirill Petrenko lässt es scheinbar ganz entspannt laufen und hat doch alle Staatsorchesterfäden in der Hand"
The gramophone, 2017 November
"Tcherniakov's design sees right through Lulu, and finds at her heart an old-fashioned love for Dr Schön that will never die ... Much then depends on Marlis Petersen and Bo Skovhus. They both turn in tremendous performances ... Petersen is a fearlessly cantabile Lulu ... Skovhus entwines Dr Schön and Jack as two strands of the same rope, singing with tireless clarity and virility"
MusicWeb international, 2017 November
"The set is striking. It is modern and intentionally sterile ... The principals sing with projection and vigour, yet interact - as they should - more with one another than with the audience. Soprano Marlis Petersen is superb as Lulu. She has just the right balance of haughtiness and nonchalance, self-serving flirtatiousness and - above all - disdain for those she attracts ... Other singer-performers who deserve positive mention include baritone Christian Rieger, tenor Rainer Trost, baritone Bo Skhovus, and tenor Matthias Klink. The orchestral playing is sensitive yet urgent. Kirill Petrenko clearly understands the need for subtlety ... This present staging and performance, with impressive and characterful acting as well as playing are entirely convincing and ought actively to pull in a new audience ... It is definitely a Lulu of our times"
MusicWeb international, 2017 November