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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, 1 kommentarbilag
Genre
kammermusik
Emneord
Emnetal
78.427:3
Bidrag af
Indhold
Sonate for orgel nr. 6, G-dur, BWV 530Das wohltemperierte Klavier, 1. del, BWV 846-869Koral for orgel, BWV 645Das wohltemperierte Klavier, 2. del, BWV 870-893Koral for orgel, BWV 639Præludium og fuga for orgel, e-mol, BWV 548Partita for klaver nr. 5, G-dur, BWV 829 (Passepied)Koral for orgel, BWV 650Die Kunst der Fuge, BWV 1080 (Contrapunctus nr. 13)Koral for orgel, BWV 721Sonate for viola da gamba og cembalo nr. 3, g-mol, BWV 1029
Beskrivelse
Indspillet i Washington, Massachusetts 2016
Forlag
Nonesuch RecordsWarner Music Group
Målgruppe
voksenmaterialer
På hjemmesiden
- Nyhed
Årets klassiske musik
Helle Tjørnov har udvalgt årets bedste klassiske musik udgivelser.Læs mere
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The guardian, 2017-04-16
" It took a few tracks to get used to the clipped, precise sound of the mandolin, at times evoking lute or harpsichord, but by the time these three fine musicians tackled the Fugue No 20 in A minor from The Well-Tempered Clavier Book 2, I was convinced. The illuminating booklet essay by pianist/composer Timo Andres is a bonus"
The guardian, 2017-04-16
The gramophone, 2017 June
"Bach arranged for cello, mandolin and double bass must be a first, so hats off to Yo-Yo Ma, Chris Thile and Edgar Meyer for even thinking up this intriguing album ... All three musicians deft and delicate of touch, period-aware without being hair-shirted about it, always bringing a sense of ever-developing musical narrative, and their chamber alchemy a delight to listen in on ... I suspect opinion on this album will be so subjective that you need to listen and make up you own mind. What is at least indisputable is that the playing itself is very fine indeed"
BBC music magazine, 2017 July
"Chamber choice: Despite musical backgrounds that are poles apart, their previous collaborations testify to an exhilarating meeting of minds ... Thile and Meyer, with their backgrounds in bluegrass and American roots music, bring an appealing swing and spontaneity to the Bach ... Ma draws a glorious palette of sounds from his cello, which sings and weeps and whispers"